Given that I’m leaving for the 20th running of “The Dirt” Nitro Challenge tomorrow, I’m not sure how much I’ll be working on the IFMAR edit over the next week or so.
I started editing the first of the footage though.
Like the Vegas worlds, I’m starting this Episode with a recap of the past two years. This episode basically starts immediately after the 2016 IFMAR Worlds ended.
There were some cool shots that just didn’t fit into the end of the Vegas Worlds Movie, so like the 2016 episode, this one will have a significant “Cold Open”. Because the 2016 Worlds were domestic, I certainly was a lot more active at shooting B-Roll for those worlds at various events. I believe I did B-Roll shoots at DNC, Silver State, the Pro-Line Gas Champs and the Worlds Warm Up race. I don’t have nearly as much footage for this one so the lead-up to the episode likely won’t be 20 minutes like it was for the last Nitro Worlds.
It’s still got some great stories though!
- CJ Jelin’s first race as a Pro
- Jared Tebo on his future (Closing off theme initiated at the Xiamen Worlds)
- Ryan Maifield pulling off a trifecta of Pro-Class wins at DNC’17
- Ty’s streak of bad-luck in 2017
- First foreign driver winning the DNC’18
- But wait…there’s MORE!
So I end this week with the “Cold Open” completed. Now I’m starting on the Opening Credit Sequence. I haven’t quite decided on what this will look like yet; sometimes I get ambitious/inspired and do a full-on After Effects motion graphics intro; other times I keep it pretty simple. Since I did a cool intro sequence for Silver State II, and have a really awesome one planned for JBRL, for the sake of consistency I think I have to do something for the Perth Worlds movie too.
Now to send a whack of e-mails to a few music providers to get the licensing process initiated. Going for an Ozzie (thanks Ben hehe) theme with the opening credits music, but I have to deal with Warner Chappell for the first time. I wish I had a PA for this part of the job…hate it!!!
After forgetting my Electronic View-Finder for my A-Camera and having to spend $184 to have it shipped to me in Australia, I am glad that I packed my B-Camera. However, it is another full-size production camera
(SONY FS700R); so it made my Carry-On really freaking big. I started doing this for the 2017 season and it hasn’t been an issue until Qantas Airways. They’re real
dicks sticklers on the size & weight of Carry-On and made me check one of my carry-on bags which made me more than a little nervous. So I kept my A & B cameras, Laptop & Lenses and let them take my drone and clothes. Worst case scenario, no aerial footage and I’d be filming in my underwear. Fortunately there were no issues with any of my luggage but I had everything with me to successfully complete the production.
At the worlds I noticed that Mat McCallum was filming a video for the all new RCGP series on a Sony A7III. I believe that David Ronnefalk’s official Videographer was using the same camera (could be wrong on the model, but it was definitely a SONY alpha). So when I got home I rented an A7R III to do testing to see if it would work for the Cinematography I do for my series. I ended up doing an internal team video for Ledcor with this camera exclusively and it worked out great!
So I bought one.
In keeping with my light-weight theme, I also picked up a DJI Ronin-S Gimbal. When compared with my Ronin 1 setup (below), it’s a huge savings in both size and weight. My DNC trip will be the first time out with this new B-Camera setup.
I still might bring my Ronin 1 along to DNC for use with my A-Camera but it wouldn’t surprise me at all if it just stayed in the case for the entire 5 days.
If you’re coming to the Nitro Challenge be sure to stop by the Pro-Line Truck and say “Hi”.